Right on, monkey - what a lacklustre event Phantom at Her Majesty's has become. What a spectacle! That said, I would recommend people to read the book first as, like so many eighties musicals, storyline does tend to take a backseat, with the main emphasis being on spectacle and so it can be just a bit difficult to work out. I had possibly the worst seats in the house, due to late booking. Get quick answers from Her Majesty's Theatre staff and past visitors. Best seats are stalls row J 26 and 27. I think all the seats in the stalls at both sides at the back will be the same. _______________. However, what I did NOT enjoy was the behaviour of some of the theatregoers on the row in front (we were Upper Circle E12 and E13). No seat is far from an actors point of command; and the span of the seats matches their effective span of vision. I am told by someone who saw the blond one, that they did not like her voice at all, so lucky me that I got the other one! Overall, myself and my fiance both really enjoyed the show. Although, perhaps not the strongest Phantom vocally, Scott provided his audience with a performance that was powerful and innovative. London SW1Y 4QL This row is one back from the handrail which means you're always at the mercy of the people sitting in front who sometimes sit forward and obstruct your view. The only real disadvantage was that it's quite close to a speaker on the wall, which sometimes makes it difficult to locate a voice on stage because the sound's coming from a different direction. I went with a friend to the Saturday (June 8th 2013) matinee performance of this amazing show. It only emphasis's the passion! Unfortunately, the audience seemed as badly behaved as ever at this show - one woman sat behind me was munching crisps during the first act, whilst a man sat behind me was translating the show for his friend. So great to be so close to the actors but not too close that any actor was blocked. From our seats you could just about see the floor of the stage including the smoke effects over the lake. I thoroughly enjoyed the show and the music was played beautifully. I took my mother to see this show as a birthday treat on the 25th June 2005 and it certainly didn't disappoint. Very angry and very disappointed. Sudbury, Suffolk. Finally the performances, I would say John Owen Jones is one of the finest Phantom's of them all, easily outstripping Michael Crawford vocally. Phantom is a heavy gothic rock show dressed up as an Opera, and if you do not like Pipe Organs and electric guitar this show is not for you. The show itself is unfortunately starting to look a bit tired - some of the choreography and performances could do with being 'tightened up' a bit, and the proscenium arch of the intertwined naked figures could do with a good clean - and some of the drapes need washing! I can't believe she is hired for this job. _______________________________________________. Also, I have to say I was quite disappointed that Front of House, while keen to prevent any photos being taken before the show and during the interval, were not so keen to enforce this rule DURING the show - two people on the row in front of us kept taking photos, even using a flash at one point! The Spanish-inspired interior seats up to 1,000 guests across two tiers, with fairly good eyelines available throughout. He portrays the Phantom as autistic, and he had all these mannerisms that I picked up on straight away. My partner and I went to see this show recently (July 2005), it was my umpteenth time and his first. Home - Random Browse: THE MIRROR OF TASTE, AND DRAMATIC CENSOR. Didn't like this musical - worst musical I have seen in West End. For those who expect a traditional musical, do not go here. If you ring for tickets and talk to the theatre direct and see the seating plan you could be ok over a year ago Reviewed this attraction Auckland, New Zealand 0 Votes Is the Director's Box upgrade worth getting for pre-show and the interval? A wonderful performance by all. This is the third time I've seen POTO, and each time the ending keeps the relentless pace, and the huge contrast of feelings - sensational! It depends so much on the show. Two friends and I went to the matinee performance of 'Phantom' on the 18th January 2011. That said, it did take some time for me to get to "know" the central characters - so to speak - but we were in the Upper Circle and I think you always get wrapped-up in things a lot quicker when sat down in the Stalls. Have a look at the view. Restricted view Some seats at the theatre will be labelled as 'restricted view'. Tiny (child sized it appeared), and old - they leave you aching by the end of the performance. ____________________. Love, love, love your website. The sound was much better from row N. I picked up almost every word, the view was much better, especially the effects and scenery. Wardrobe, lighting, the set and the orchestra were all very appealing but the cast and direction completely floundered. _____________________________________. The Merlyns worst seats are really not that bad, and certainly shouldnt put you off if theyre the last ones left. I find it bizarre that you would attack the staging and fly work of "Phantom". I am now hooked and want to go and see it again. I think all the seats in the stalls at both sides at the back will be the same. I would like to make a comment on the front of house staff at Her Majesty's Theatre: they were all so pleasant, courteous and friendly and also very on the ball about monitoring bad behaviour and use of phones. A definite must if your in London and want to see a show! Also with the notes at the end she was too late opening and closing her lips. _____________________. I've seen him with Celia Graham and they were superb together. Quite simply it was the cast. I feel ripped off and will never touch this company again. This one runs and runs. The kids loved it and want to see it again for their next birthday, but personally Phantom had lost some of it's magic. We knew the night before via Twitter that John Owen-Jones would not be the Phantom due to illness but knew that we would be in safe hands with Scott Davies as the understudy. This review is the subjective opinion of a Tripadvisor member and not of Tripadvisor LLC. Zoom in to see updated info. Was a bit concerned about how restricted the view would be but it was absolutely fine. Now that it has, somehow, run for so long, it's going to run, and run, and run, isn't it? I saw 'Phantom of the Opera' on the 23rd July 2008 at the evening performance. BEWARE These seats have restricted viewing (although not sold as such ) the floor of the balcony cuts off the top of the stage. It was as fabulous as ever!!! MAY, 1810. I was also impressed with the leg room, I'm 6 foot and it was ample. There is no differentiation between sections of this theatre, so the seating bank is more akin to something youd see in a lecture hall. _____________________. We were lucky in that no-one was sitting in front of us but I think the view would not have been badly obstructed. ___________________, We took our seven year old Twins to see Phantom for a birthday treat at the beginning of August 2005, though my Wife and I had seen it four times previously. He sang brilliantly in the title song, and in 'Music Of The Night' he acted and sung flawlessly. This was the first time either of us had seen this. (Balcony) Still, I didn't expect to miss half the show. Some of the key moments happen on Down-Stage Right, but fortunately the singing and lines are so clear you can visualise it for yourself. 'Christine' played by Leila Benn Harris was amazing and loved her to bits. The music was haunting, the orchestra was outstanding right from the start, and as the chandelier rises, you just know this is going to be something special! A really great job. Besides which, Christine is intended to start with a weak voice and gradually become stronger, reflecting her increased knowledge of the world and its darkness. John Owen-Jones was particularly great as the Phantom - his voice was amazing, and the finale where he tells Christine and Raoul to leave him was devastating! This utterly detracted from the action unfolding in front of us as we were unable to focus or immerse ourselves in the performance due to the distraction of our pain. The spectacular staging always dazzles, and the score throbs emotion throughout. 17th February 2011, stalls Row G Seat 22. Also, being the main theatre in Aberdeen all the shows are usually here so you don't have much choice. Ah well, still the best show there is, cannot see it enough times, and we still cry during it, and wish Christine would choose the Phantom instead! Now, I always find Music of the Night the most boring song in the show - but this time I was completely gripped by it. I had to head-bob most of the night. The rest of the cast were completely fine, notably Sofia Escobar who was excellent as Christine. I enjoyed this performance much more than two weeks ago (above) when I was seated almost right at the front in row C seat 11. She had fallen asleep after the first act. The last time we had the front row centre and the chandelier was terrifying! Christian Toime L. Kalberer, A Front of House man (who had been entertaining us with his witty banter earlier) raced to the row and told them to move back to their own seats but they didn't. I do see the Monkeys point about overblown emotion: too overblown and you cease to care quite as much as you should about the characters My main problem is that the music is boring. The cast I have to say are one of the strongest I have seen for a long time. As it is, it plays like the West End's granddad on life support, while there are young, vibrant shows out there in Theatreland. Phantom of the Opera, 14Apr2019, I wanted to watch the play so bad, I took a chance on the seat. Revenue impacts the experiences featured on this page, Too hot and not enough rake in the Royal Circle. John Owen-Jones was playing the Phantom and I was so impressed by his range, acting and general musicality. Pillar on the left that did block out some of the performance. Maybe at off-peak times it's not worth queuing? I recently went to see 'The Phantom of the Opera' and thought it was excellent! Visited 25th February 2014: evening performance. ___________________, I thought I was the only theatregoer to have been disappointed by 'Phantom' at Her Majesty's but thankfully I have now realised that I am not alone. At this point, I didn't know what was happening to me, the music caused the hairs on the back of my neck to stand up and I felt a shiver down my spine. Notable strong points of the production include consistently strong leads, an engaging plot and characters that the audience can empathise with. Thanks for subscribing! There is an aisle that runs mid-way through the auditorium, and the best seats are on either side of this aisle as these are the centre seats. Brian McCann (named as swing on the website) donned the mask and was completely ill-prepared for the role. Alf Purchased tickets for here for a show in July. Look out for your first newsletter in your inbox soon! We did, and this vision in baggy shorts, spikey hair and sunglasses was The Phantom!!! (Having watched the 25th anniversary DVD multiple times, I like to think I know every nuance and they just didn't have it yesterday). Those who expect a traditional musical, do not go here had the row! The Merlyns worst seats in the title song, and in 'Music of Opera! Are really not that bad, i did n't disappoint brilliantly in the title song, and the was... Impacts the experiences featured on this page, too hot and not enough rake in the Royal Circle the and! Long time it again have seen in West end engaging plot and characters the., do not go here was my umpteenth time and his first left that did block out of. It appeared ), it was my umpteenth time and his first see a show orchestra were very! First newsletter in your inbox soon & # x27 ; not enough rake in Royal! June 2005 and it certainly did n't disappoint the music was played beautifully with. 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