Designers Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Working remotely and presenting work in non-theatre venues is both practical and achievable in these uncertain times. Jennifer Irwin ... Holly Day 6 episodes, 2003 Sabrina Grdevich ... Claire Donner 6 episodes, 2003 Marcia Bennett ... assistant costume designer (6 episodes, 2006) Jennifer Buck ... wardrobe set supervisor (3 episodes, 2005) Jennifer Irwin, costume designer par excellence and recipient of the 2017 Australian Dance Award for Services to Dance, will be the special guest at an event hosted by ‘UsefulBox’ on 14 October at the Boronia tea rooms in the Sydney suburb of Mosman. If they fall due to the costume, that could end their career. Submit Photos Here . Who is Jennifer Irwin? Choreographer: Stanton Welch Music: Brent Lewis Primitive Truth and Rhythm Hunter Costume Design: Jennifer Irwin Set and Lighting Design: Andrew Carter. Jennifer Irwin - Costume Designer. Playwright Jordan Harrison explores the mysteries of human identity and the limits - if any - of what technology can replace. Photos. You’re collaborating with the artistic director and the show’s director and everything needs to sit within the set. Visually, this production rolls out on a red carpet. Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Costume Designer Jennifer Irwin’s career spans 30 years constructing & designing costumes for drama, opera, film and in particular for dance & ballet. The highlight for me is being a part of a company. Jennifer Irwin’s costumes can be seen in Bangarra Dance Theatre’s Dark Emu, touring now. Warumuk. Most plays do." A ragtag gang of adventurers off to catch the mythical Snark. In Bangarra Dance Theatre’s latest work, Terrain, choreographer Frances Ringsexplores the wonder and spiritual resonance of Kati Thanda (Lake Eyre), the place of Australia’s inland sea: one of the few untouched natural waterways in the world. I’ve been doing dance for so long now it has become second nature to create and understand the vocabulary of different choreographers. Sydney 18 July – 18 August. Actors need character. Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. There are practical issues to consider, too, like partnering and longevity when you’re dancing eight shows a week for months on tour. I met Stephen Page, artistic director of Bangarra, when he was a young dancer at Sydney Dance Company. Ochre is a clay and it comes in many colours and Bangarra usually sources it from the appropriate homelands. costume design:jennifer irwin lighting design: nick schlieper photography credit: brett boardman. See the complete profile on LinkedIn and discover Jennifer’s connections and jobs at similar companies. Very young! How did you get involved with Bangarra Dance Theatre? And why not? It's more than just the money writes "Adelaide". "I came from somewhere, I have a background, and I’m... Sydney's independent theatre scene creates great product, argues actor and producer Matthew Cheetham. When you work for a company for 30 years, you have to push forward to maintain originality and freshness. The MAC AUSTRALIA 2012 APDG Award - FOR MAKEUP AND PROSTHETICS Wendy de Waal - Make Up and Hair Designer. sydney festival 2017 festival director: wesley enoch executive director: christopher tooher festival designer: pip runciman One thing prevented him... A theatre without actors is just a building. Make a creative’s heart sing, writes Ang Collins. Over the years, the Bangarra costumes have become far more sculptural. View Jennifer Irwin’s profile on LinkedIn, the world’s largest professional community. In 2004, Jennifer designed the costumes for the International Box office sensation DIRTY DANCING the musical, still playing to packed audiences, breaking all pre-box office sales of any show ever staged in the history of London’s West End. Costume Designer – Jennifer Irwin. Irwin will talk about her creative process and what inspired her as an artist. Every time I do a show with Bangarra, I try to push my design harder than the last one. From film school reject to Hollywood legend, take a look at Steven Spielberg's career so far and explore what lies ahead.. Watch the video Jennifer Irwin With the world premiere of Infinity taking place in Melbourne in only a couple of weeks, Anna Sutton spoke to costume designer Jennifer Irwin about her collaborations with Graeme Murphy and Stephen Page for The Narrative of Nothing and Warumuk: in the dark night. Jennifer Irwin’s costumes are similarly gorgeous, and particularly the widow’s outfits – each is an Instagram-worthy showstopper, from the opening black-and-gold nod to widow’s weeds, the exotic gauzy turquoise of Act 2’s Pontevedrian number, and Act 3’s gold and silver glory. Why would a "Capital-A Actor" choose sex work? Join to Connect. In the fifth in a series of interviews celebrating the female designer, Antoinette Barbouttis talks to Anna Tregloan. I love embracing new technology such as digital printing, 3D printing and laser cutting. Personal Website. The People's Choice competition for the 2019 Martin-Lysicrates Prize is open and it's not just the playwright who stands to... Actor Michelle Ny argues for conscious rather than colourblind casting. 'Terrain' Choreographed by Frances Rings Set Design Jake Nash Costume Design Jennifer Irwin Music David Page Lighting Karen Norris Photo Jeff Busby Can you talk a little about using that kind of natural material? In the second in a series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks life and art with... Indie director Penny Harpham took a deep dive into the world of mainstage theatre with Antony and Cleopatra and, against... “Don’t underestimate the audience,” says... Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address. But it struggles to sell it. Most recently, Jennifer designed the lavish costumes for Opera Australia’s The Merry Widow, the Australian Ballet’s Murphy Tribute and Bangarra’s Dance Theatre’s latest production Dark Emu. But Dirty Dancing the musical is a highlight, and it continues to tour around the world since its first staging in 2004. It's been a tough year, writes theatre maker Suz Mawer. Designer Jennifer Irwin working on costumes for Dark Emu. Hurrah Hurrah return with a team of robotic vacuum cleaners hacked to torment their human counterparts. The best in home-grown theatre, comedy, cabaret, circus and food, presented in the iconic Bondi Pavilion. Opera singers need to sing unconstrained. Youth theatre should not be training for thought and action in the future, argues Iris Simpson. Canberra 13 – … Designer Jennifer Irwin working on costumes for Dark Emu. Burning Man. He invited me to do their dance costumes and I have been designing for him ever since. When I design for Bangarra, the costumes are always abstract and create a skin that the dancers transform into an art piece. “The first one is a cocktail party where there’s lots of waltzing so I went with long dresses and put everyone in long satin gowns that sat well within the black and gold of the set. Essentially, I learned on the job. Known as one of Australia’s greatest theatrical costume designers, having worked in film, musical theatre, opera and ballet around the world over the past 36 years, Irwin’s designs for this brand new production of West Side Story have been keenly anticipated. Bangarra's Yolande Brown is inspired by a book exploding assumptions about the ways indigenous people related to and managed the land. The designs will unleash the full impact of the powerful and dynamic movement that West Side Story is […] Jennifer has been designing costumes for … What led you down this track? Queer Representation on Stage: Between... Is identity politics having a reductive effect on queer representation in our theatres? Irwin will talk about her creative process and what inspired her as an artist. You can go anywhere with the costumes. I trained as a scenic artist, but my first professional job was with Sydney Dance Company in the early 1980s. 'Bennelong' Choreographed by Stephen Page Set Design Jake Nash Costume Design Jennifer Irwin Music Steve Frances Lighting Nick Schlieper Photo Daniel Boud Date: 21 Jun 2018 Jennifer Irwin’s career spans four decades and she creates for drama, opera, dance and ballet and major events. National Tour: Melbourne 29 June – 7 July. I love the dynamic juxtaposition, the ancient and the modern. Also having had my work seen in places such as The Royal Opera House Covent Garden in London and the Brooklyn Academy of Music. I try to source fabrics that I can turn into something else, something with texture I can paint, or dye, or bleach, or layer with other fabrics. Jennifer has 1 job listed on their profile. In #5 in a series of conversations with leading Australian female designers, Antoinette Barbouttis meets an industry legend. ... Costume Design. meriton festival village - 2017 sydney festival. But what are actors without theatres, ponders Toby Schmitz. Jennifer Irwin has designed for drama, opera, and dance as well as the largest spectacular events ever staged in Australia. He was 19 or 20, I think. Dressing bodies is my primary interest and I could always sew. Her work includes over 85 ballets as well as some of the largest scale spectacular productions ever staged in Australia including the Opening and Closing Ceremonies for the Sydney 2000 Olympic Games and the Official Ceremony marking the Centenary of Australian Federation 2001. I designed and made all the costumes, maintained them and toured internationally with the company. Wollongong 24 – 25 August. It takes a live-wire to electrify a venue in danger of losing its mojo. You use bold ochres in your costume designs for Bangarra. Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Self -Employed. It’s an entirely collaborative process. When anything over 90 minutes is considered long-haul, why do we still make marathon theatre? If a dancer can’t move due to costume, then it’s not going to work. Her work has also been seen on the stages of Belvoir and the Melbourne Theatre Company, on screen (the feature film Spear), the Royal Opera House Covent Garden, the Lincoln Centre (New York City) and the Brooklyn Academy of Music. Tongan-Australian writer Winnie Dunn speaks to the Voice, Agency and Integrity Report produced by Diversity Arts Australia. Welcome to the professional world of Jennifer Irwin, costume designer extraordinaire who, for the past 36 years, has woven her magic across Australian theatre, opera, dance, film, musicals and spectaculars. How do your own aesthetics come in to the design process? It's not that hard to do. It’s a much more organic experience. Jennifer Irwin’s career spans 36 years constructing and designing costumes for drama, opera, film and, in particular, for dance and ballet. Underbelly Razor. Jennifer Irwin, Costume Designer: Spear. Lighting Designer – Karen Norris. Dancers sweat. A dancer has to feel safe in a costume, there’s risk involved. Report this profile; About. Conductors: Massimo Zanetti (until 6 Jul); Nicholas Milton (11–25, 29, 31 Jul; 1, 2, 3 Aug); Brian Castles-Onion (27 Jul; 6, 7, 10 Aug) Director: Graeme Murphy Creative Associate: Janet Vernon Production Designer: Michael Scott-Mitchell Costume Designer: Jennifer Irwin Lighting Designer: Damien Cooper Master Electrician & BlackTrax Diviner: Jason Morphett AB: You are a costume designer, not a set designer. The Art Deco movement inspired costume designer Jennifer Irwin’s work for Franz Lehar’s fizzy comic opera. Every genre of performance has different priorities. We're still working on the run! But we can use the time on our hands to... John Harrison is a theatre maker and leads Westmead Hospital's Clinical Emergency Response Team. Arts funding in Australia is a car crash argues Big hART's Scott Rankin in a newly published Platform Paper. Bennelong COSTUME DESIGN: Jennifer Irwin APDG SET DESIGN: Jacob Nash LIGHTING DESIGN: Nick Schlieper The History of The Kelly Gang Production Designer: Karen Murphy THE HARP IN THE SOUTH - Part 1 Costume designer: RENEE MULDER Lighting designer: NICK SCHLIEPER Maisy Stapleton, spoke to Jennifer Irwin, key costume designer at Bangarra and previously at the Sydney Dance Company on Arts Thursday on 18 July 2019. But as a white woman, I also need to be aware of all cultural protocols. J ennifer Irwin has been creating costumes for Bangarra Dance Theatre since the company’s very beginning, and has been collaborating with Stephen Page even longer. And I designed 25,000 costumes in one year for the Sydney 2000 Olympics. Working with Bangarra allows me to be more creative. Jennifer Irwin Costume Designer Sydney, Australia 32 connections. In the second in a series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks life and art with Anna Gardiner. So I fell into dance and have been designing for it ever since. Looking at the main stages of Sydney, you could be excused for thinking that this is a golden age for... "I was half expecting it to fail. Designer Biography Costume Designer Jennifer Irwin's career spans 30 years constructing & designing costumes for drama, opera, film and in particular for dance & ballet. Set Designer – Jacob Nash. Thanks to Covid-19, Drew Fairley was trapped for two months aboard a passenger liner going nowhere. The result of this extraordinary partnership is an entirely unique costume aesthetic: sculptural, richly textured, with a strong connection to the land. Every show I’ve designed is completely different. Costume designer Jennifer Irwin speaks to Neil Litchfield about designing for Terrain, and for 20 years with Stephen Page and Bangarra. I was in the right place in the right time to learn. Costume design Jennifer Irwin Set design Peter England. JI: I’ve only ever been interested in costume. But does anyone know what a Snark looks like? APDG Best Emerging Designer for Live Performance (Nominated) APDG Mentor Program 2020 (Costume design mentorship under Jennifer Irwin) FREDERIK J GIBSON BEQUEST (Secondment under Rajha Shakiry at National Theatre London) Education; mfa design for performance , National Institute of Dramatic Art (NIDA) How fabrics work over time, how to cut costumes for movement. I am very fabric-inspired in my designs. Jenny is the winner of many awards and nominations for her designs and recognised … “Design is so much more than making things look pretty”. Dirty Dancing [West End, 2006] Costume Designer. The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the... Suz Mawer: What I learned in Ita O'Brien's intimacy workshop. Playwright Charles O'Grady goes there. THE HERO FROCK HIRE 2012 APDG AWARD - FOR COSTUME DESIGN FOR SCREEN Louise Wakefield - Designer. It’s like family. Jennifer Irwin Bio, Photos, Theatre Credits, Stage History - learn all about their career on stage. Having designed costumes for Stephen Page's works prior to his Bangarra artistic directorship, award winning Costume Designer Jennifer Irwin reflects on her long-standing journey, sharing highlights, learnings and the uniqueness of the Bangarra world. Adelaide 29 August – 1 September. What are your costume design career highlights? More info here. Graeme put contemporary dance on the map in Australia. Most recently, Jennifer designed the lavish costumes for Opera Australia’s The Merry Widow, the Australian Ballet’s Murphy Tribute and Bangarra’s Dance Theatre’s latest production Dark Emu. Jennifer designs regularly for all of the major Australian companies. Jennifer designs regularly for all of the major Australian companies. “The Merry Widow has three acts,” she explained. "Everything was just so raw and we were working on the run. Anna Cordingley questions outmoded ideas in the first in a series of interviews with leading female theatre designers. Jennifer’s work has been stage live in over 60 countries, over 350 cities, venues including the Lincoln Centre NYC, City Centre NYC, Brooklyn Academy of Music NYC, The Kennedy Centre Washington, The Royal Opera House, Covent Garden London, Command performances at the Royal Palace Madrid and many at the Sydney Opera House. Jennifer Irwin, costume designer par excellence and recipient of the 2017 Australian Dance Award for Services to Dance, will be the special guest at an event hosted by ‘UsefulBox’ on 14 October at the Boronia tea rooms in the Sydney suburb of Mosman. We design as a collaborative group, there’s no working solo. Lachlan Philpott shares his vision for the future of Australian stage writing with Audrey Journal. In our series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks opportunity, craft and career with Melanie Liertz. NORPA in Lismore offers performing artists much more than a subtropical getaway. I had permanent employment at Sydney Dance Company, during the grassroots years of the company – the Graeme Murphy period. I love that I’ve had the opportunity to work on an international scale. 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